Fender reveb tank dating

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The amps of the new cosmetic era eventually came to be referred to as ‘silverface’ models, to differentiate them from blackfaces, but the amps of late ’67 and ‘68 and early ’69 make up a unique sub–set known as the ‘drip–edge’ models.

The name is derived from the profile of the aluminium angle used to trim the baffle, which looks like roof flashing used to keep rain water away from walls.

A 1957 tweed Vibrolux was reported with a tube chart printed with circuit “5E3” (tweed Deluxe) instead of the correct 5F11 (see photo).

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We tend to select guitar amps to cover in Sound On Sound because they either use new technology or are particularly suitable for recording in a typical project–studio setup.

These are marked with EIA code “606” which is the company number for Schumacher.

Well, this universal “truth” was debunked when we found a bunch of amps with transformers made by the Better Coil and Transformers company.

Of course, in their thickly carpeted living rooms with low ceilings and drapery covered windows, they did not get it.

Thus, Laurens Hammond needed to find a way to add reverberation to the living room.

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